As 'Lamhaa' unfolds, you realize that Dholakia may've borrowed a few incidents from life, but as it moves forward, it comes across as a typical Bollywood enterprise that harps on being real, but ends up being a masala film that we have witnessed over and over again.
Just one word for this film: Disappointing!
The Military Intelligence gets a whiff of a plot that is likely to disrupt and possibly paralyze Kashmir. Vikram [Sanjay Dutt] is sent to investigate this highly confidential mission and he assumes the identity of Gul Jehangir. The same day that he lands in the valley, Haji [Anupam Kher], a top separatist leader, survives a blast. Is there a connection between the blast and the operation?
To solve this conundrum, Vikram teams up with Aziza [Bipasha Basu], Haji's young, aggressive and outspoken protégé. The intensity of their beliefs and their will to survive against all odds creates a special bond between them. They embark together on a journey to uncover the truth.
The problem clearly lies in its scripting, the written material [screenplay: Raghav Dhar, Rahul Dholakia]. Like I pointed out earlier, Dholakia should've stuck to realism, instead of trying to strike a balance between realism and make-believe. The viewer is told at the very outset, and also at regular intervals, that 'something big [read destructive] is going to occur'. But the entire conspiracy comes across as too trivial during the final moments of the film and therefore, the impact is missing.
Honestly,'Lamhaa' comes across as a disjointed effort, in terms of writing. It's more of a collage of several isolated incidents, which explains why the screenplay lacks the power to keep you engaged. Sure, a few sequences are attention grabbing, but showing the heroic side of Sanjay Dutt [rescuing Bipasha all the while - from the cops, from Rajesh Khera's henchmen, from a lecherous Yashpal Sharma] appears very filmy. Even the finale - Sanju busting the conspiracy - comes across as child's play.
One expects a lot from Dholakia, but he lets you down completely in 'Lamhaa'. The politicians wanting a bigger piece of pie or children getting trained for jehad or their bodies being stuffed with bombs is not an eye-opener anymore. What one is keen to know is the mindset of Kashmiris, which, frankly, this film doesn't really project. In the end, if you recall the visuals, not the content, it means something is seriously wrong with the film and 'Lamhaa', sadly, is right intentions gone wrong. Even the dialogue [Sai Kabir, Ashwath Bhatt], like the screenplay writing, tries to strike a balance between real and filmy. Mithoon's music is easy on the ears, but acts as a speed breaker in the narrative.
Kunal Kapoor is royally sidelined in the first hour, but has a few interesting scenes in the second half. His speech in the finale is flat and devoid of the required emotions. Anupam Kher is the lone actor who actually looks the character he has been assigned to portray.
Mahesh Manjrekar is wasted. Ditto for Yashpal Sharma. Vipin Sharma is effective. Jyoti Dogra stands out. Murli Sharma is perfect. Shernaz Patel is decent. Rajesh Khera, Yuri Suri, Vishwajeet Pradhan, Asif Basra, Denzil Smith and Ehsaan Khan are okay in their respective parts.
On the whole, 'Lamhaa' just doesn't work.